WHAT TO COLLECT # 132. Teruko Nimura

Teruko Nimura is a visual artist based in Austin with a diverse multi-media practice. She received her BFA from San Francisco Art Institute and her MFA from UT Austin. Teruko has exhibited in the U.S. and Mexico, and has completed three temporary public art installations in the last year.  She is currently a member of ICOSA art collective, a participant in the City of Austin’s Launchpad program for public art, and one of three Austin artists featured in the 2017 TX Biennial.

More information on https://www.terukonimura.net/

https://pin.it/yxkjxalfuul4ck

Copyright @ Teruco Nimura

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WHAT TO COLLECT #129. Yves Klein

Born: April 28, 1928 – Nice, France

Died: June 6, 1962 – Paris, France

Yves Klein was the most influential, prominent, and controversial French artist to emerge in the 1950s. He is remembered above all for his use of a single color, the rich shade of ultramarine that he made his own: International Klein Blue. But the success of his sadly short-lived career lay in attacking many of the ideas that underpinned the abstract painting that had been dominant in France since the end of the Second World War. For some critics he is a descendent of Marcel Duchamp, a prankster who lampooned settled understandings of painting and opened art up to new media. Others consider him as a descendant of earlier avant-garde artists such as Kazimir Malevich and Aleksander Rodchenko, who were also attracted to the monochrome. And even in the ways he used performance later on in his career, he is like many artists who rediscovered some of the tactics of earlier avant-gardes in the 1950s and ’60s. Klein might also be compared to his contemporary Joseph Beuys, for, like Beuys, he embraced aspects of Romanticism and mysticism – Klein was intrigued by Eastern religion and Rosicrucianism, and was even influenced by judo. Also like Beuys, many have condemned him as an obscurantist and a charlatan: yet the brevity, wit, and seductive beauty of much of his work continues to inspire.

Yves Klein, Anthropometry series Tate Shots interview with one of Klein’s models and performers

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Is the Art Market Ready to Embrace Work Made by Artificial Intelligence?

Is the Art Market Ready to Embrace Work Made by Artificial Intelligence? Christie’s Will Test the Waters This Fall

The auction house is selling an AI-produced work of art for the first time this fall.

• Naomi Rea 3 days ago

Obvious Art’s 𝒎𝒊𝒏 𝑮 𝒎𝒂𝒙 𝑫 𝔼𝒙 [𝒍𝒐𝒈 𝑫 (𝒙))] + 𝔼𝒛 [𝒍𝒐𝒈(𝟏 − 𝑫(𝑮(𝒛)))], Portrait of Edmond de Belamy, Generative Adversarial Network print on canvas (2018).

Christie’s New York will make history this fall when it becomes the first auction house to sell a work of art made by artificial intelligence. The print on canvas, a product of an algorithm developed by the French art collective Obvious, will be included in the auction house’s prints and multiples sale October 23-25.

Hugo Caselles-Dupré, a member of the Paris-based collective, told artnet News that they were “interested in the philosophical approach behind this,” he said. “Can an algorithm be creative? If so, this algorithm is the closest to the human mind’s creativity.”

The work was created using a model called a Generative Adversarial Network. The artists first fed a generator a dataset of 15,000 portraits done between the 14th and 20th centuries. It then created new works based on the training set until it was able to fool a test designed to distinguish whether an image was made by human or machine.

The resulting work, titled Portrait of Edmond de Belamy, depicts a man in a dark coat and white collar with indecipherable facial features that reside somewhere in the uncanny valley. The unique piece, a gold-framed canvas print that is currently on view in Christie’s London showroom, is estimated at $7,000-10,000. The collective says it will use the proceeds from the sale to further train its algorithm, finance the computational power needed to make such works, and experiment with 3D modeling.

Obvious Art’s 𝒎𝒊𝒏 𝑮 𝒎𝒂𝒙 𝑫 𝔼𝒙 [𝒍𝒐𝒈 𝑫 (𝒙))] + 𝔼𝒛 [𝒍𝒐𝒈(𝟏 − 𝑫(𝑮(𝒛)))], Portrait of Edmond de Belamy, Generative Adversarial Network print on canvas (2018).

The Christie’s sale constitutes an important validation in the realm of AI art. Although there are many so-called “creative coders” who use similar technologies to improve web experience, few are considered contemporary artists. The members of Obvious see themselves as conceptual artists whose main goal is to democratize Generative Adversarial Networks and legitimize AI-produced art.

“We wanted to propose this new approach to a more traditional market rather than the tech area,” Caselles-Dupré said. “At the beginning it was difficult to be understood by the traditional art market because they were looking at us like, ‘Who are those guys? What is this new weird stuff?’ But the more we’ve explained what we’re doing, what we want to share, and what we want to say, the more the art world is paying attention to our work.”

Following the Christie’s sale, Obvious plans to work with brands and galleries to expand the movement. “We really believe that AI can be a new tool for art,” Caselles-Dupré said. “In 1850, when the camera showed up, it was only used by highly qualified engineers and so it was not considered for its artistic potential. We think we are in the same situation, because people view us as engineers but we really think this type of technology will be used more and more in art.”

Installation view of Obvious Art’s 𝒎𝒊𝒏 𝑮 𝒎𝒂𝒙 𝑫 𝔼𝒙 [𝒍𝒐𝒈 𝑫 (𝒙))] + 𝔼𝒛 [𝒍𝒐𝒈(𝟏 − 𝑫(𝑮(𝒛)))], Portrait of Edmond de Belamy (2018).

The collective began a conversation with Christie’s following a London symposium on the implications of blockchain for the art world. “Christie’s continually stays attuned to changes in the art market and how technology can impact the creation and consumption of art,” said the auction house’s head of prints and multiples, Richard Lloyd, in a statement. “AI has already been incorporated as a tool by contemporary artists and as this technology further develops, we are excited to participate in these continued conversations.”

Edmond de Belamy is one of 11 portraits of the fictional Belamy family, which is named after Ian Goodfellow, the AI researcher who invented the Generative Adversarial Network method in 2014. (“Goodfellow” roughly translates to the French bel ami.) Another portrait from the family, Le Comte de Belamy, sold to Parisian collector Nicolas Laugero-Lassere earlier this year.

Originally published on the artnet News

https://news-artnet-com.cdn.ampproject.org/c/s/news.artnet.com/market/artificial-intelligence-christies-1335170/amp-page

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WHAT TO COLLECT # 127. KAWS

Born in 1974 in Jersey City, NJ, USA

Lives and works in New York, USA

Considered one of the most relevant artists of his generation, KAWS engages audiences beyond the museums and galleries in which he regularly exhibits. His prolific body of influential work straddles the worlds of art and design to include paintings, murals, large-scale sculptures, street art, and graphics and product design. Over the last two decades, KAWS has built a successful career with work that consistently shows his formal agility as an artist, as well as his underlying wit, irreverence, and affection for our times. He often draws inspiration and appropriates from pop culture animations to form a unique artistic vocabulary for his works across various mediums.

Now admired for his larger-than-life sculptures and hard edge paintings that emphasize line and color, KAWS’ cast of hybrid cartoon and human characters are perhaps the strongest examples of his exploration of humanity. His refined graphics language revitalizes figuration with big, bold gestures and keen, playful intricacy. As seen in his collaborations with global brands, KAWS’ imagery possesses a sophisticated humor and reveals a thoughtful interplay with consumer products. Highly sought-after by collectors inside and outside of the art world, KAWS’ artworks, with their broad appeal, establishes him as one of the most prominent artists in today’s culture.

KAWS (b. 1974, Jersey City, New Jersey; lives and works in Brooklyn, New York) has exhibited internationally in major museums. His recent solo exhibitions include KAWS: WHERE THE END STARTS, Modern Art Museum of Fort Worth, Texas (2016) which traveled to the Yuz Museum, Shanghai (2017); KAWS, Yorkshire Sculpture Park and Longside Gallery, West Yorkshire, United Kingdom (2016). His work has also been the subject of solo exhibitions at the Contemporary Art Museum St. Louis, Missouri (2017); Brooklyn Museum, New York (2015); Centro de Arte Contemporáneo, Málaga, Spain (2014); Nerman Museum of Contemporary Art, Overland Park, Kansas (2013); Pennsylvania Academy of Fine Arts, Philadelphia (2013); and the High Art Museum, Atlanta, Georgia (2011).

His monumental sculptures have been shown in prestigious locations including the Rijksmuseum, Amsterdam, the Yorkshire Sculpture Park, United Kingdom and the Brooklyn Museum, New York.

KAWS Is Bringing a Giant Floating Figure to Seoul’s Seokchon… https://hypebeast.com/2018/6/kaws-holiday-seokchon-lake-seoul-korea

COPYRIGHT @ by KAWS

Originally published on https://www.perrotin.com/artists/Kaws/55/view-of-the-exhibition-where-the-end-starts-curated-by-andrea-karnes-at-modern-art-museum-of-fort-worth-fort-worth-usa-2016/10000012698

#art #installation #kaws #exhibition #animals #artcollecting #artcollector #artcurator #artadvisor #collection #artcollection #artmuseum #artgallery #contrmporaryart #contemporary #modernart #design #artlovers #inspiration #artcollecting #artsignificator #melnikblog #ArtForYou

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WHAT TO COLLECT # 125. SOFIA BONATI

Sofia Bonati

What I enjoy most is playing with textures and color combinations.

Sofia Bonati is an Argentinian artist currently living in Surrey, United Kingdom. She was born in Buenos Aires in 1982 into a family of artists, and started her artistic career when she moved to the UK in 2013. In addition to her studio practice, she has also developed a career as an illustrator, with clients such as Iberia (Spain), Vanity Fair (France) and Mondadori (Italy). Working mostly in pencil and wet media on paper, Bonati imbues her female gures and portraits with surrealistic elements, seemingly granting them the powers of the animals, plants, and objects that adorn them. Smooth, focused pencil drawing of realistic portraiture grounds each subject in the midst of flowing, dream-like surroundings, creating stunningly beautiful, imagined tableaus.

Copyright @ SOFIA BONATI

https://www.behance.net/Soffronia

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WHAT TO COLLECT #123. ALEX GARANT

Internationally renown as the Queen of Double Eyes, Alex Garant studied visual arts at Notre-Dame–De-Foy College just outside Quebec City. After graduating in 2001, she ultimately settled in Toronto, Canada.

She decided to indeed commit to her passion for Arts after suffering from a heart attack in 2012, changing forever how she would see the world.

As a pioneer of Contemporary Figurative Op Art, her oil paintings offer a graphic quality combined with traditional portrait techniques. Garant establishes herself as one of the leaders of analog Glitch Art by using patterns, duplication of elements,  symmetry and image superposition as crucial elements of her imagery.  Alex Garant’s paintings are indeed conversation pieces as they are meant to engage the observers in an image investigation process and hopefully enlist their senses differently while doing so.

Alex has shown works in Art Galleries all over Canada and the U.S., Los Angeles, San Francisco, New York as well as Australia and Portugal. Her works have also been shown at The Fullerton Museum and The Lancaster Museum of Art and History (MOAH) in California. She has been featured on CB;  her works have been seen in Magazines including hi-fructose, Juxtapoz, BAZAAR, Le Petit Voyeur, Tattoo Fest Magazine, The Art Education Journal, Beautiful Bizarre Magazine and on multiple online platforms including VICE, The Huffington Post, Buzznet, ViralNova, Tory Burch Trends and many more.

Copyright @ Alex Garant

Find out more about the Artist on https://www.alexgarant.com

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WHAT TO COLLECT #122. JOAN JONAS

Born in 1936 in New York, Joan Jonas is a pioneer of performance and video art, and a titan of the American avant-garde.

She is known for blending performance and film in exciting and challenging ways. She rose to artistic fame in the late 1960s for her compelling Mirror Pieces, which featured performers carrying mirrors on stage and slowly, deliberately rotating them, transforming the audience into an image on glass.

Please, watch YouTube movie:

https://youtu.be/rzp6Ehnxq34

#art #installation #exhibition #animals #artcollecting #artcollector #artcurator #artadvisor #collection #artcollection #artmuseum #artgallery #contrmporaryart #contemporary #modernart #design #artlovers #inspiration #artcollecting #artsignificator #melnikblog

***All rights to artwork remain with the artist and can be removed from the website on request at any time. Please, contact us by email

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