Why Love Generative Art? Article by Jason Bailey

Reposted from https://www.artnome.com/news/2018/8/8/why-love-generative-art Why Love Generative Art? August 26, 2018 Jason Bailey VVRRR – Manolo April, 2018 Over the last 50 years, our world has turned digital at breakneck speed. No art form has captured this transitional time period – our time period – better than generative art. Generative art takes full advantage of everything that computing has to offer, producing elegant and compelling artworks that extend the same principles and goals artists have pursued from the inception of modern art. Geometry, abstraction, and chance are important themes not just for generative art, but for all art of 20th Century. As an…

How Much Is Your Object Worth? – Researching Your Art

Reposted from https://americanart.si.edu/research/my-art/object-worth It is hard to establish fixed values for antiques, artworks, and other collectible items. The amount asked or offered is determined by many factors, including the condition of the object, personal interests of both the seller and the purchaser, and trends in the market. According to Smithsonian Institution policy, no staff member may offer monetary evaluations. However, the following guidelines should help you find an approximate value for your artwork. First, consult price guides to determine current sale and auction prices. Some price guides are available on the Internet, but most come in books or offline formats….

Check out the best kept secrets to buying art as an investment.

Check out the best kept secrets to buying art as an investment by Saatchi Art. http://s3.amazonaws.com/document.issuu.com/180913233342-a0eebe59dd18143a2e0bbe259894f072/original.file?AWSAccessKeyId=AKIAI3AWG2EVNT4VZFNQ&Expires=1539329235&Signature=bekcSVfugbd5AxNOk06HwBexqWw%3D

10 WAYS TO UNSUCCESSFULLY MARKET YOURSELF AS AN ARTIST

Marketing yourself as an artist can often feel like a full-time job. But it doesn’t have to be this way! If you’ve ever wished for an honest checklist of marketing tactics to avoid, consider it an early Christmas gift. Stop making these common self-promotion mistakes and you will quickly feel the luck turning in your favor. Avoiding self-promotion It’s typical of artists to shy away from self-promotion. All kinds of reasons bubble up to the surface once you press an artist about the promotional opportunities available online: it’s too complex, they don’t know how to do it, they don’t have…

WHAT TO COLLECT # 133. Danielle Cohen

ARTIST’S STATEMENT I am trying to test the body and fuzziness as they appear in my private life, I deal with gender, pain, relationship or entity. I Especially enjoyed testing the limits of suffering, the border between Erotica pornography and documentary as well as the line between the personal and intimate private and public spheres. I test my conflict with myself many times in feminine and seductive that is far away from my own self-image and gender when I ascribe to a new image that I create diverse deflections that are associated with such dissemblance. I disguise myself a lot,…

WHAT TO COLLECT # 132. Teruko Nimura

Teruko Nimura is a visual artist based in Austin with a diverse multi-media practice. She received her BFA from San Francisco Art Institute and her MFA from UT Austin. Teruko has exhibited in the U.S. and Mexico, and has completed three temporary public art installations in the last year.  She is currently a member of ICOSA art collective, a participant in the City of Austin’s Launchpad program for public art, and one of three Austin artists featured in the 2017 TX Biennial. More information on https://www.terukonimura.net/ https://pin.it/yxkjxalfuul4ck Copyright @ Teruco Nimura ***All rights to artwork remain with the artist and…

WHAT TO COLLECT # 131. JOHN BROOKS

His work is playful, creepy, energising and anthropomorphic. Stare at these fuzzy wonders long enough and you would swear you saw a heart beat or a leg twitch. This small body of work packs a lot of punch both visually and conceptually. The work stands as a kind of strange timeline not just from one year of fashion to the next but a sort of endless amount of time in between.Brooks fuses weaving techniques into his textile based art pieces bridging that invisible gap between craft and conceptual art. Please, find more information http://www.johnbrooks.com.au/new-page/ Copyright @ John Brooks ***All rights…

WHAT TO COLLECT # 130. Anish Kapoor

Mirroring its surroundings to reflect a rose-tinted microcosm of ambient space, Untitled is an exquisite example of Anish Kapoor’s inimitable investigation into the possibilities of interior and exterior space. Seeming to float effortlessly in suspense above the ground, Kapoor’s dish appears to simultaneously curve outwards and inwards, distorting perception and awareness as our gaze passes across it. The luminous reflectivity of the surface radiates light, and emits a sense of meditative calm and repose. Untitledinvites contemplation: by circumnavigating the work we become an integral part of the whole, thus making every viewer’s experience of the piece subtly different. Untitled forms…

WHAT TO COLLECT #129. Yves Klein

Born: April 28, 1928 – Nice, France Died: June 6, 1962 – Paris, France Yves Klein was the most influential, prominent, and controversial French artist to emerge in the 1950s. He is remembered above all for his use of a single color, the rich shade of ultramarine that he made his own: International Klein Blue. But the success of his sadly short-lived career lay in attacking many of the ideas that underpinned the abstract painting that had been dominant in France since the end of the Second World War. For some critics he is a descendent of Marcel Duchamp, a…

WHAT TO COLLECT # 127. KAWS

Born in 1974 in Jersey City, NJ, USA Lives and works in New York, USA Considered one of the most relevant artists of his generation, KAWS engages audiences beyond the museums and galleries in which he regularly exhibits. His prolific body of influential work straddles the worlds of art and design to include paintings, murals, large-scale sculptures, street art, and graphics and product design. Over the last two decades, KAWS has built a successful career with work that consistently shows his formal agility as an artist, as well as his underlying wit, irreverence, and affection for our times. He often…

WHAT TO COLLECT # 126. Wassily Kandinsky

Wassily Kandinsky – “A Late Bloomer” Considered to be the father of abstract art, Wassily Kandinsky was what might be considered  “a late bloomer” concerning his art. Born to a family of musicians, he learned to play the piano and cello. When he was 20 years old he chose to study law and economics and attended the University of Moscow where he lectured and also wrote about spirituality. At the age of 30, Kandinsky left Moscow and went to Munich to study life-drawing, sketching and anatomy. At the age of 37 (which was at one time considered “middle aged”) he…

Millennials are shaping the art market’s future

The “2018 Insights on Wealth and Worth — Art Collectors” survey by U.S. Trust revealed that millennials are now the fastest growing segment of art collectors. Growing up with technology by their side, millennials—born between 1982 and 1998—have different values and buying habits than generations before them. Faced with these shifting demographics, what is your gallery doing to reach millennial collectors? UBS’s 2017 “Millennials — the global guardians of capital” report explained that millennials, who currently account for roughly $17 trillion of global wealth, consistently prioritize “convenience, multi-channel delivery, and transparency.” So, how does this behavior translate to the art…

WHAT TO COLLECT # 125. SOFIA BONATI

Sofia Bonati What I enjoy most is playing with textures and color combinations. Sofia Bonati is an Argentinian artist currently living in Surrey, United Kingdom. She was born in Buenos Aires in 1982 into a family of artists, and started her artistic career when she moved to the UK in 2013. In addition to her studio practice, she has also developed a career as an illustrator, with clients such as Iberia (Spain), Vanity Fair (France) and Mondadori (Italy). Working mostly in pencil and wet media on paper, Bonati imbues her female gures and portraits with surrealistic elements, seemingly granting them…