WHAT TO COLLECT # 139

The DUSKMANN collective formed in 2015, a union of visionary minds with a clear artistic direction and above all, a desire for continual creative experimentation. DUSKMANN’s goal is to gather complex forms of expression within a single universe, enhancing the peculiarities that distinguish them. They work in a range of fields, thus creating an ecosystem with a great deal of creative biodiversity and releasing powerful, expressive energy in a single soul on the Renaissance model. About Artist PRELUDE was born during a trip to Sicily. The artists were entranced by the beauty of Sicilian marbles and the figures evoked by…

WHAT TO COLLECT # 138. Pao-Leng Kung

Art Description by Artist Pao Leng Kung In my works, I magnify some elements during the working process: the erasure of color, the relationship between positive and negative spaces, and the space inside and outside the canvas. Typically, I use ‘ white’ as a force to expand unlimited space or as an emptiness to fill all the colors by imagination. Also ‘ white’ could refer to the white of exhibition space, gesso, and the natural canvas. Because of this, it opens far more possibilities to transfer the undefined space inside and outside of my paintings. For the other colors and…

Why Love Generative Art? Article by Jason Bailey

Reposted from https://www.artnome.com/news/2018/8/8/why-love-generative-art Why Love Generative Art? August 26, 2018 Jason Bailey VVRRR – Manolo April, 2018 Over the last 50 years, our world has turned digital at breakneck speed. No art form has captured this transitional time period – our time period – better than generative art. Generative art takes full advantage of everything that computing has to offer, producing elegant and compelling artworks that extend the same principles and goals artists have pursued from the inception of modern art. Geometry, abstraction, and chance are important themes not just for generative art, but for all art of 20th Century. As an…

WHAT TO COLLECT #136. Kyle Jeffers

Kyle Jeffers Captures Corners You Never Thought Could Be So Beautiful Canadian photographer Kyle Jeffers sees everyday scenarios with a more creative eye. Garages, cars, iron fences, concrete materials, mixed with the blood orange or crystal blue sky, the construction of each of his image is always genius and always moving. He depicts the warmness of cold structures, or sometimes the coldness of warm colors. Jeffers’ images give you the impression of a recent departure of a person, similar to the works of Elmgreen & Dragset. You can almost hear the lingering resonance that makes the photos silent, yet the construction and…

WHAT TO COLLECT # 135. NINA RODER

Nina Röder born in 1983 in Germany and graduated with a Master of Fine Arts from Bauhaus University Weimar with the focus on staged photography. Next, to her artistic activities, she is a Ph.D. candidate with the research topic about performative strategies in contemporary photography. Nina’s photographic work is exposing hidden structures of biographical stories in which she is combining aspects of the theatre, performance, and stage with the time-based image space of photography. Her photographs have been shown in international exhibitions and photo festivals such as Voicees Off Festival in Arles, the European Month of Photography in Berlin or…

How Much Is Your Object Worth? – Researching Your Art

Reposted from https://americanart.si.edu/research/my-art/object-worth It is hard to establish fixed values for antiques, artworks, and other collectible items. The amount asked or offered is determined by many factors, including the condition of the object, personal interests of both the seller and the purchaser, and trends in the market. According to Smithsonian Institution policy, no staff member may offer monetary evaluations. However, the following guidelines should help you find an approximate value for your artwork. First, consult price guides to determine current sale and auction prices. Some price guides are available on the Internet, but most come in books or offline formats….

WHAT TO COLLECT # 134. SIMONE LEIGH

SIMONE LEIGH (b. 1967, Chicago) lives and works in Brooklyn. Solo presentations of Leigh’s work have been hosted by the Hammer Museum, Los Angeles; Studio Museum in Harlem (Marcus Garvey Park), New York; New Museum, New York (all 2016); Atlanta Contemporary Art Center; Creative Time, New York (both 2014); and The Kitchen, New York (2012). The artist’s work has also been featured in numerous group exhibitions including the Berlin Biennial (2018); Trigger: Gender as a Tool and a Weapon, New Museum, New York (2017); Unconventional Clay: Engaged in Change, The Nelson-Atkins Museum of Art, Kansas City, Mo.; Greater New York,…

Check out the best kept secrets to buying art as an investment.

Check out the best kept secrets to buying art as an investment by Saatchi Art. http://s3.amazonaws.com/document.issuu.com/180913233342-a0eebe59dd18143a2e0bbe259894f072/original.file?AWSAccessKeyId=AKIAI3AWG2EVNT4VZFNQ&Expires=1539329235&Signature=bekcSVfugbd5AxNOk06HwBexqWw%3D

10 WAYS TO UNSUCCESSFULLY MARKET YOURSELF AS AN ARTIST

Marketing yourself as an artist can often feel like a full-time job. But it doesn’t have to be this way! If you’ve ever wished for an honest checklist of marketing tactics to avoid, consider it an early Christmas gift. Stop making these common self-promotion mistakes and you will quickly feel the luck turning in your favor. Avoiding self-promotion It’s typical of artists to shy away from self-promotion. All kinds of reasons bubble up to the surface once you press an artist about the promotional opportunities available online: it’s too complex, they don’t know how to do it, they don’t have…

WHAT TO COLLECT # 133. Danielle Cohen

ARTIST’S STATEMENT I am trying to test the body and fuzziness as they appear in my private life, I deal with gender, pain, relationship or entity. I Especially enjoyed testing the limits of suffering, the border between Erotica pornography and documentary as well as the line between the personal and intimate private and public spheres. I test my conflict with myself many times in feminine and seductive that is far away from my own self-image and gender when I ascribe to a new image that I create diverse deflections that are associated with such dissemblance. I disguise myself a lot,…

WHAT TO COLLECT # 132. Teruko Nimura

Teruko Nimura is a visual artist based in Austin with a diverse multi-media practice. She received her BFA from San Francisco Art Institute and her MFA from UT Austin. Teruko has exhibited in the U.S. and Mexico, and has completed three temporary public art installations in the last year.  She is currently a member of ICOSA art collective, a participant in the City of Austin’s Launchpad program for public art, and one of three Austin artists featured in the 2017 TX Biennial. More information on https://www.terukonimura.net/ https://pin.it/yxkjxalfuul4ck Copyright @ Teruco Nimura ***All rights to artwork remain with the artist and…

WHAT TO COLLECT # 131. JOHN BROOKS

His work is playful, creepy, energising and anthropomorphic. Stare at these fuzzy wonders long enough and you would swear you saw a heart beat or a leg twitch. This small body of work packs a lot of punch both visually and conceptually. The work stands as a kind of strange timeline not just from one year of fashion to the next but a sort of endless amount of time in between.Brooks fuses weaving techniques into his textile based art pieces bridging that invisible gap between craft and conceptual art. Please, find more information http://www.johnbrooks.com.au/new-page/ Copyright @ John Brooks ***All rights…

WHAT TO COLLECT # 130. Anish Kapoor

Mirroring its surroundings to reflect a rose-tinted microcosm of ambient space, Untitled is an exquisite example of Anish Kapoor’s inimitable investigation into the possibilities of interior and exterior space. Seeming to float effortlessly in suspense above the ground, Kapoor’s dish appears to simultaneously curve outwards and inwards, distorting perception and awareness as our gaze passes across it. The luminous reflectivity of the surface radiates light, and emits a sense of meditative calm and repose. Untitledinvites contemplation: by circumnavigating the work we become an integral part of the whole, thus making every viewer’s experience of the piece subtly different. Untitled forms…